The Irony of Charity

 

Kelly Rogers, Mary Shorten, Elizabeth Potter, Emily Van Bridger

 

 

In Oliver Twist, Dickens uses satire to depict the corruption, inhumanity, and alienation of charitable institutions in early 19th Century England. In the novel, Dickens focuses on two church-run institutions – A “baby farm,” as well as a workhouse. The authorities of both institutions are largely responsible for the poor treatment of the workers. More specifically, the reader is introduced to Mr. Bumble and Mrs. Mann, Oliver’s earliest caretakers, who represent the cruelty of most workhouse authorities at that time. 

Upon the introduction of the “baby farm” early in the book, the reader meets Mrs. Mann, who is paid a weekly allowance of seven pence-halfpenny by the church to be the “parental superintendent” of 20-30 young boys under the age of nine – the age when they were legally allowed to work 8-hour days (http://www.victorianweb.org/). This money is intended to be used to buy the children their necessities, but when the children are ready to enter the adult workhouse they are found to be “thin, somewhat diminutive in stature, and decidedly small in circumference” (Dickens 5). Dickens uses satire when pertaining to Mrs. Mann by saying that the “elderly female was a woman of wisdom and experience; she knew what was good for children; and she had a very accurate perception of what was good for herself” (Dickens 4). If she knew what was good for these children, though, they would be in better health and body when they left her care. The little money that she does use on the children, she uses to purchase gin – which she herself drinks. She justifies the gin by saying, “it’s what I’m obliged to keep a little of in the house to put into the blessed infants’ Daffy, when they ain’t well” (Dickens 7). Her behaviour causes the reader to be suspicious of her motives in buying the gin. If it was for the children’s use, then she should not be drinking it, or even going as far as to offer it to Mr. Bumble, the Beadle – which she does. You would also think after Mr. Bumble saw the shape of the children and knowing very well that the gin is not for their use, he would have declined it, but he doesn’t and this is in itself a lead into the inhumanity that these officials express towards their charges.

Inhumanity was extremely prevalent in the both workhouse and baby farm. On Oliver’s birthday at the “baby farm,” he is beaten and locked up. He often faces these problems; nevertheless, Mr. Bumble describes Mrs. Mann as “a humane woman” (Dickens 7). There was an obvious lack of nutrition and clothing among the children at the baby farm, and Dickens satirically comments, “they never had the inconvience of too much food or too much clothing” (Dickens 4). One of the best examples of the inhumanity in the story is the famous line “Please Sir can I have some more” (Dickens 13). It illustrates how children in the workhouse were kept near starvation, and were hardly given enough to survive. Dickens describes the children as being so “wild and voracious with hunger” (Dickens 12) that they claimed they could eat their companions. The authorities excuse their behaviour with the notion that giving the children more food will make them more rebellious. From the time that Oliver innocently asks for more food, the authorities look for ways to rid themselves of him. They view his request as a questioning of their authority and a threat to their power.

Alienation was a common way of exercising power over the children in both the main workhouse and the branch workhouses like the baby farm. The children are restricted from forming relationships of any kind within the workhouse or the outside world. At the baby farm, the children are locked inside the confines of the yard. When Mr Bumble comes for inspection, Mrs Mann says, “I should have forgotten that the gate bolted on the inside, on account of them dear children” (Dickens 6). This shows that the children are prohibited from interacting with the outside society. As Oliver leaves the baby farm to go to the workhouse he is forced to leave the few companions he has, and in the gloom of the workhouse the “sense of his loneliness in the great wide world, sank into the child’s heart for the first time” (Dickens 9). This illustrates Oliver’s first feelings of alienation, as he has been isolated from the only friendship he has ever known. As well, within the workhouse Oliver is ordered into instant confinement because he asks for more food. “For a week after the commission of the impious and profane offence of asking for more, Oliver remained a close prisoner in the dark and solitary room to which he had been consigned by the wisdom and mercy to the board.” (Dickens 14) Dickens satirically exemplifies the board’s kindness in providing Oliver with some society for the duration of his punishment. “As for society, he was carried every other day into the hall where the boys dined, and there sociably flogged as a public warning and example” (Dickens 14).

Dickens’ satire throughout the novel describes the charitable institutions as places that breed corruption, inhumanity, and alienation. In Dickens’ time society’s failure to recognise these problems destroyed the lives of many innocent children. By exploring the problems of the past, perhaps we will be more capable of identifying the downfalls that may arise in the institutions of our time.